Villa di Papa Giulio, Rome

Nourth east/north west elevations.

Miss Margaret Brash Brodie was born in Glasgow on 10 June 1907, the daughter of John Brodie who was a civil engineer who specialised in railway company work and his wife Jane Brash. She attended Glasgow High School for Girls and was articled to Stewart & Paterson in 1925, studying at the Glasgow School of Architecture which she entered in 1926 as a student of the newly introduced BSc (Architecture) course which was conducted jointly with the University of Glasgow. She travelled in England in 1928 and in France in 1929. She was the first student to graduate from the BSc course with a First Class Honours in Design in 1931. She was awarded the Keppie Travelling Scholarship which enabled her to study at the British School at Rome where she met fellow students, William Holford, Robert Matthew and Basil Spence. She was still with Stewart & Paterson in late 1930 when she was admitted ARIBA, her proposers being Thomas Harold Hughes, John Watson and George Andrew Paterson.
After qualification she obtained a post with Watson Salmond & Gray and worked on the firm's design for the new Paisley Infectious Diseases Hospital. Her drawings for the hospital scheme were exhibited and brought her to the attention of Thomas Tait who offered her a post as assistant with Burnet Tait & Lorne in London, where she remained until 1938. She worked on the Glasgow Empire Exhibition for which she personally designed the Women of the Empire pavilion. Although devoted to Tait, incompatibility with Frances Lorne caused her to leave for Mewes & Davis.
The Second World War years were spent in East Anglia designing aerodromes for the Air Ministry. At the end of the war she returned to Burnet, Tait & Lorne, this time to their Edinburgh office where Francis Lorne was now the resident partner in charge. Again they proved incompatible and she left to set up her own practice at Lochwinnoch in Renfrewshire, combining it with teaching - her students remembered her as a demanding but not unkind teacher even if the irony in her commentaries could prove unnerving for the uninitiated. Her practice was mainly domestic, but she had a notable competition success with the design for the new war memorial art school at Victoria College, Jersey. She also acted as consultant to several engineering firms and carried out a considerable amount of ecclesiastical work. She sat for some twenty years on the Church of Scotland's Advisory Committee on Artistic Questions. She was appointed convener of this committee in May 1974, the first woman to hold the post.
She retired in 1990, moving from Knowe's Mill, Lochwinnoch to Knockbuckle Cottage at Beith where she lived with her sister. She never married. In 1995 she was been created a Fellow of the Glasgow School of Art at a special graduation to mark the 150th anniversary of the foundation of the school.
Margaret Brash Brodie died in Beith on 14 April 1997.

Hugh C Ferguson.

Miss Margaret Brash Brodie was born in Glasgow on 10 June 1907, the daughter of John Brodie who was a civil engineer who specialised in railway company work and his wife Jane Brash. She attended Glasgow High School for Girls and was articled to Stewart & Paterson in 1925, studying at the Glasgow School of Architecture which she entered in 1926 as a student of the newly introduced BSc (Architecture) course which was conducted jointly with the University of Glasgow. She travelled in England in 1928 and in France in 1929. She was the first student to graduate from the BSc course with a First Class Honours in Design in 1931. She was awarded the Keppie Travelling Scholarship which enabled her to study at the British School at Rome where she met fellow students, William Holford, Robert Matthew and Basil Spence. She was still with Stewart & Paterson in late 1930 when she was admitted ARIBA, her proposers being Thomas Harold Hughes, John Watson and George Andrew Paterson.
After qualification she obtained a post with Watson Salmond & Gray and worked on the firm's design for the new Paisley Infectious Diseases Hospital. Her drawings for the hospital scheme were exhibited and brought her to the attention of Thomas Tait who offered her a post as assistant with Burnet Tait & Lorne in London, where she remained until 1938. She worked on the Glasgow Empire Exhibition for which she personally designed the Women of the Empire pavilion. Although devoted to Tait, incompatibility with Frances Lorne caused her to leave for Mewes & Davis.
The Second World War years were spent in East Anglia designing aerodromes for the Air Ministry. At the end of the war she returned to Burnet, Tait & Lorne, this time to their Edinburgh office where Francis Lorne was now the resident partner in charge. Again they proved incompatible and she left to set up her own practice at Lochwinnoch in Renfrewshire, combining it with teaching - her students remembered her as a demanding but not unkind teacher even if the irony in her commentaries could prove unnerving for the uninitiated. Her practice was mainly domestic, but she had a notable competition success with the design for the new war memorial art school at Victoria College, Jersey. She also acted as consultant to several engineering firms and carried out a considerable amount of ecclesiastical work. She sat for some twenty years on the Church of Scotland's Advisory Committee on Artistic Questions. She was appointed convener of this committee in May 1974, the first woman to hold the post.
She retired in 1990, moving from Knowe's Mill, Lochwinnoch to Knockbuckle Cottage at Beith where she lived with her sister. She never married. In 1995 she was been created a Fellow of the Glasgow School of Art at a special graduation to mark the 150th anniversary of the foundation of the school.
Margaret Brash Brodie died in Beith on 14 April 1997.

pencil, ink and watercolour on paper
Dimensions: 710 x 425 mm

Published